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In November, the European museums - the present offensive of twentieth century art: just opened or are about to begin the exhibition with Giacometti , Braque, and Klee, exhibition of "Cobra", an exhibition of artwork range of Mahe, a series of exhibitions "Cult artists in Berlin. A solo exhibition of Marriage in Vienna in its scope can be attributed to "the main exhibition" of the winter season (going by March 1). We also note an interesting idea for the exhibition "Giacometti, the Egyptian" in Berlin's Altes Museum, where the sculptor compared with atrefaktami Ancient Egypt. However, not only the art of the twentieth century, fills the halls of exhibitions in the coming November. In Rome, for example, can be reached at the recently opened a "Roman" exposure "Etruscans. The ancient city of Latium. " In London, we will meet with Byzantium (about 300 pieces collected here from the museums of different countries). And in Brussels from October runs an interesting exhibition «X-treme», character - Plants and animals have adapted to survive in extraordinary circumstances ("Heat," "Cold", "Drought", "No light," without oxygen "- so called 5 sections of this informative exhibition). Austria Exhibition of Georges Braque, November 14 - March 1, Vienna In mid-November in Vienna's Museum of BA-CA Kunstforum opens the main winter exhibition of works of the French avant-garde artist Georges Braque (1882-1963). The exhibition will be collected for more than 80 paintings and etchings by the artist, which will consider his work in different years in the context of avant-garde movements in art of the twentieth century. When the marriage came to Paris in 1900, he became interested in Fauvism, but two events in 1907 - an exhibition of Cezanne's acquaintance with Picasso - changed his art. These events led away from his Fauve and lead to cubism, the doctrine which he develops in close contact with Picasso. By the time the marriage ceases to paint landscapes and still-life appeals to, "because there is still life in a tactile, almost man-made space" ("Conversations with Dora Valle"). The opening paper applications in 1913, allows the artist to "clearly distinguish the color of the form and see its full independence." Still life, he created after being seriously wounded during the First World War, represent "a microcosm of patience and pleasure." Between the wars marriage turns to neoclassicism and, inspired by the art of archaic Greece, creates a series of etchings and relief ("Theogony", "Hercules"). The exhibition will feature paintings from the late and a series of "Workshops", created in 1949-1956 years. Details: Phone: (+43 1) 537 33 22 e-mail: office @ ba-ca -kunstforum.at ba-ca-kunstforum.at «Edward Hopper and Contemporary Art, until 15 February, Vienna American painter Edward Hopper (1882 - 1967) and considered a precursor of pop art, and the interpreter of the proverbial "American Dream" in the "mythological America." In the 1915-1920's, to overcome financial difficulties, he began working commercial illustrator, and at this time consists of its unique picturesque style that will not change his entire creative life. Famous scenes Hopper - American landscapes, solitary figures in hotel rooms and bars, the world of theater. "Americanism" of the artist is evident not only in the choice of subjects, but also in the manner of writing - "a sincere, direct and sustainable." The Art of Edward Hopper, he discovered the gap between the imaginary, the mythological America and the reality of inspiration as a filmmaker of the twentieth century (Wim Wenders, Jim Jarmusch), as well as contemporary artists. That is the subject and is devoted to exhibition, which opened recently at the Vienna Kunsthalle museum. Visitors can see there paintings, etchings himself Evard Hopper's work and Mark Lewis, David Klarbauta, Down Clements, Thomas Demanda, Jim Jarmusch, Ed Rushi, Jeff Wall, Rachel Uaytrid, Philip-Lorca di Corsi. Details: Phone: +43-1-52189-0 e-mail: office@kunsthallewien.at kunsthallewien.at/en/events/ Belgium exhibition of the artistic association "Cobra", November 7 - 15 February, Brussels at the Royal Museum of Fine Arts will soon open an exhibition of international art movement Cobra, founded in 1948 and lasted until 1951. Someone called them the "comet tail" Surrealist, someone spoke of the "Nordic Expressionism" and lyrical abstract art, but all lovers of contemporary art at once noted non-conformist and experimental movement. The name "Cobra" is composed of the first letters of the cities (Copenhagen, Brussels, Amsterdam), in which lived the founders of the movement - Christian Dotremon, Joseph Noiret, Asger Jorn, Karel Appel, Pierre Aleshin. Surreal spirit of the movement, the desire for a collective and spontaneous work consistent with the experimental tactics of young artists. The initiators of the movement wanted it to be open to experiments for searching. Later in the movement joined by artists from Iceland, Sweden, USA, and in March 1949 in Brussels was a success in the first exhibition of "Cobra". Then opened the exhibition in Amsterdam and Li
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